Monday, February 28, 2011

ELVIS PRESLEY - Movies & Songs

I just finished watching a movie called "Elvis" made in 1979 starring Kurt Russell. And it just hit me that after all these years,this is probably still the BEST offering so far about Elvis's life. Imagine, no big Hollywood Studio has done anything that beats it.

I've been following the career of this Kid from Tupelo since I was 10 years old. Some people might ask,"why would anyone still be so fanatic or loyal to a celebrity after all these years?" Well,I don't think anyone really knows "why" it just seemed to happen one day at a time.

For me, I don't think a day goes by that I don't think of Elvis. I remember as a kid, growing sideburns and being kidded by the older kids. In 1964 in high school many of the kids said Elvis was over and the Beatles were "In". But there still were those like me that thought otherwise.

Than in 1970 my wife and I with two friends saw him in person at the Miami Beach Convention Center. I remember the feeling of anticipation sitting in my seat waiting for the show to begin. And that day in August of 1977 when I got a phone call from home asking me if I heard the news.

In 1995 my son graduated from a Naval Training School located just outside of Memphis, so we just had to visit Graceland. It was a little surreal walking through the house knowing Elvis had once lived there. When we came to the grave site, it was impossible to stop the tears from flowing.

Here's a brief rundown of some of the Movies and Songs associated with the KING... Elvis Movies number 33, first in 1956 with "Love Me Tender" and last with "Change of Habit" in 1969. Plus two Documentaries,"Elvis,That's The Way It Is" in 1970 and "Elvis On Tour" in 1972.

Elvis Songs number about 800 of recorded and/or performed songs beginning with "That's All Right" in 1954. His last studio album was "Moody Blue" recorded between February1976 and April 1977.

It is estimated that Elvis has sold enough records to circle the Earth three times over. Although it is still a question of verification,it is believed "Elvis Worldwide Record Sales" have reached "One Billion Records".

No one knows why people feel so strongly about Elvis, we just know we do and always will.

Elvis once said when giving a speech...

"When I was a child, I was a dreamer"...
"I read comic books and I was the hero of the comic book"...
"I saw movies and I was the hero in the movie"...
"Every dream that I ever dreamed, has come true a hundred times".

At the end he concluded with:

"I learned very early in life that the day would never end without a song, so I keep singing a song".

19,710 Days a Elvis Fan... No End In Sight.




Hey guys, hope you enjoyed my article...
...One of the things that was so amazing about Elvis was how he put such feeling into the words of his songs,especially the ballads. The following song is one of my favorites. I know you'll understand why after hearing it. To see a video of this Elvis song, please visit my money machine blog.

Thanks, Kevin

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Wednesday, February 23, 2011

Review Midnight Run

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Director Martin Brest rocketed to the top of Hollywood's A list with the blockbuster success of Beverly Hills Cop, and this 1988 follow-up is even better. Midnight Run is a genuine rarity--an action comedy that's dramatically satisfying--thanks to a sharp script by George Gallo, the superb teaming of Robert De Niro and Charles Grodin, and Brest's consummate skill in combining suspense and humor with well-developed characters. De Niro plays a maverick bounty hunter whose latest assignment is Grodin, an accountant accused of embezzling from the Mob. De Niro thinks he's in for an easy job, transporting Grodin (who's afraid to fly) from New York to Los Angeles, but soon discovers that both the FBI and the Mafia are hot on Grodin's trail. Equal parts road trip, action thriller, and a quirky character study, Midnight Run moves at a breakneck pace but still gives De Niro and Grodin time to create rich, memorable performances as two men who seem to be opposites, but gradually develop mutual respect and admiration. Mainstream entertainment at its best. --Jeff Shannon





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Sunday, February 20, 2011

Watching Movies for More Than Entertainment

There are a number of people who feel that there is nothing more entertaining as compared to watching their favorite movies as these are considered as very much visually stimulating. Always bear in mind that there are many movies that always have their own personal charm, and even if you are just not able to learn everything from any movie, still you find them very much entertaining and effective. Our mind is very much obsessed by the auditory and visual stimulation as compared to any other system of learning, including reading books. The fact is that when you are watching movies you certainly need less concentration and focus as compared to reading books, and this where most people are interested in.

Watching movies, certainly can offer a lot to ordinary man in terms of developing their intellectual skills. When watching movies you just have to put in all your efforts to imagine actions and scenes and the best part is that movies also provide you with an opportunity where you just never have to try and make much use of imagination to recreate words. Movies also help in rapidly transmitting all set of messages instantly to our brain. This is also considered as one of the best and most effective ways for synapsing information to our brain, increasing our overall intelligence and creativity. Movies are also best means to educate people in masses in the field of science, arts, technology and psychology.

As movies are always here with us on one platform or another, so you can also think of them as best means to pass on your wisdom and knowledge from one generation to another. There are a number of movie makers who always work for improving vision of mankind by simply trying to recreate stories and scenes from one era to another. Movies, in simple terms are also regarded as one of the best means to educate the present generation about their past, present and future.




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Thursday, February 17, 2011

Monday, February 14, 2011

Top Ten Bar Movies

Considering that a lot of us spend a large amount of time in bars, it is amazing how few movies feature bars as a central element of the story. There are classic bar scenes (Star Wars Cantina for example or the saloon in High Noon) but few movies feature a bar as a character unto itself. Bars are usually plot devices thrown in as shorthand. Depressed or lonely? Then the seedy run-down bar on the bad side of town reflects the character's inner angst. Happy? The trendy martini bar with its neon and bright colors is front and center. Mysterious, jaded or edgy? Then the characters are sitting up at the hotel bar drinking scotch.

For all the evidence out there and spots for solid research, few movies actually capture the atmosphere of a real bar. Bartenders rarely respond to "hey barkeep," and "gimme whiskey" is usually met with a blank stare. Capturing the essence, smells, sounds and feel of a real drinking hole is apparently hard. Here are ten movies set in a bar. Not necessarily realistic representations, but interesting nonetheless.

10. Coyote Ugly. (2000) A ridiculous bar movie that follows a young girl trying to make it big in New York as a songwriter but ends up working at an all girl bar named Coyote Ugly. This film featured lots of dancing on bars and scantily clad women tossing bottles around. The bar was modeled after an infamous Greenwich Village watering hole and spawned a whole raft of copy-cat bars across America.

9. Road House. (1989) Either the finest bouncer genre movie of all time or one of the worst pieces of drivel ever committed to film. But you can't resist anything with Patrick Swayze, who hung up the dancing shoes to play a tai chi practicing bouncer. Swayze plays our pec-flexing hero who is given the impossible task or cooling down the violence at the Double Deuce, a rowdy honky tonk bar. He must also learn the secret ways of the bouncer guru and then confront the most evil man in Jasper, Wyoming -- Ben Gazarra.

8. Cocktail. (1988) The trend of "flair bartending" reached its nadir or apex depending on your point of view with this fromage from 1988. A youngish Tom Cruise is the hot shot young bartender who is shown the ropes by the older wiser Brian Brown. They become partners then fall out over a woman and become rivals. Rivals at throwing bottles in the air and shaking girl drinks. Imagine John Wayne ordering a drink from these guys.

7. Robin and the Seven Hoods. (1964) Ocean's Eleven is the most famous rat pack movie and probably the worst. Much better is this stylish retelling of the Robin Hood legend. This movie mostly took place in prohibition era Chicago speakeasies, where the hard drinking, crooning and partying band of Frank Sinatra, Dean Martin, Sammy Davis Jr and Bing Crosby take on the evil sheriff and Guy Gisborne (Peter Falk). The band sign, swap zingers and spend most of their time downing anything they can brew up.

6. Swingers. (1996) Technically this movie does not take place in one bar, but its grand tour of Los Angeles and Las Vegas drinking holes is money baby. This movie launched the career of Jon Favreau and Vince Vaughn and made swing bars and tiki-lamped cocktail lounges hip again.

5. 54. (1998) Studio 54 was the most famous nightclub in late 1970s New York. It was the quintessential disco and was the party place of the famous and wannabe famous. Mike Myers steals the show as the gay club owner Steve Rubell, while Ryan Phillipe, Salma Hayek and Neve Campbell play the beautiful people who made the nightclub home. Perfectly captures the disco era and the exuberance of the 70s nightclub.

5. BarFly. (1987) On one level depressing, on another a great expression of the joy of life. Mickey Rourke plays Henry Chinaski, a poet and alcoholic (loosely based on the real poet Charles Bukowski). He spends his life in LA bars drinking every night. One day he meets and falls for Wanda (played by Faye Dunaway). She's an alcoholic too but she sees the true Charles. She helps him get his poems published and for a short time he becomes famous. But in the end they are both happier as anonymous barflies.

3. Trees Lounge. (1996) Indie star Steve Buscemi directed this small picture imagining what would have happened to him had he stayed in his small hometown on Long Island and not moved to Manhattan to pursue acting. His film centres around, and perfectly captures, a neighborhood bar full of colorful eccentrics who can't seem to move on. Also starring Anthony LePaglia, Samuel L. Jackson and Chloe Sevingny, Buscemi plays Tommy Basilio a drunk who wanders through his life desperate for some sort of meaning beyond the bar that is his only home.

2. Lost in Translation. (2003) Sofia Coppola's gem of a movie mostly takes place in a hotel bar in Tokyo. Disillusioned, weary and bored actor Bill Murray meets neglected newlywed Scarlett Johansson and the two create an unlikely bond as they try to discover or rediscover themselves while in a foreign and confusing land. They end up at a Japanese nightclub which is a great counterpoint to the austere bar. While they don't form a traditional romantic attachment they find something that awakens each other.

1. Casablanca. (1942) Perhaps the perfect movie. Bogart and Bergman shine is this classic romance drama. Originally named "Everybody Comes to Rick's," Casablanca regularly tops best of lists. It's World War II and Rick Blaine, exiled American and former freedom fighter, runs the most popular bar in Casablanca. It's filled with thieves, spies, Nazis, partisans, refugees and piano players. The Nazis and their puppet Captain Renault are after underground leader Victor Laszlo who is supposed to be somewhere in Casablanca. Lazslo secretly arrives at Ricks, only not alone. With him is Ilsa, Rick's one time love and the breaker of his heart. "Of all the bars in all the world she walks into mine." The rest is cinematic magic.




Kevin Marsh is editor of www.gaybar.com the nets largest and most comprehensive directory of gay bars and gay friendly clubs world wide.

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Friday, February 11, 2011

Review Forgetting Sarah Marshall [Blu-ray]

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Peter (Jason Segel) is a struggling musician who finds his world turned upside down when his TV celebrity girlfriend, Sarah Marshall (Kristen Bell), dumps him for a tragically hip rock star. It’s the hysterically funny look at how far one man will go to forget a girl – and all the fun he finds along the way!




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Breaking up is hard to do--but that doesn't mean you can't have some belly laughs about it. Forgetting Sarah Marshall provides that rare treat: a romantic comedy about breakups, that is both romantic and funny. The laughs, especially from writer-star Jason Segel, are both heartfelt and raunchy, and the film is just unexpected enough that it keeps the viewer's attention till the end. The touches of producer Judd Apatow, who's famously retooled rom-coms to appeal to guys as much as women, are woven throughout the film, but Segel's script, reportedly based on many of his own experiences, is fresh and original. And adult. Forgetting Sarah Marshall features male genitalia laffs presented in unexpected and human ways (the nude breakup scene is played for giggles but also deep poignancy), and the language and sex scenes are strictly for grownups--and rightly so. Segel's script, and his performance as Peter, show that he understands the true nature of adult relationships, which provides the refreshing difference between this film and some of Apatow's other crude creations. The cast is sublime; Kristen Bell (Veronica Mars) plays title character Sarah, a self-absorbed actress, and Russell Brand is her new British honey who accompanies her to--what are the chances?--the exact same Hawaiian resort as Peter, who's nursing his broken heart. Mila Kunis plays Rachel, the resort employee who gives Peter a reason to hope, and Paul Rudd is the surfing instructor who gives him his own brand of heartfelt advice ("When life gives you lemons, just say 'F--- the lemons' and bail," he says cheerily). The pacing is screwball, and the absurdities fly (a "Dracula" musical puppet show, and a surprisingly lovely Hawaiian version of "Nothing Compares 2 U"). Nothing the viewer will forget any time soon.--A.T. Hurley

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Kristen Bell (Sarah Marshall)

Jason Segel (Peter Bretter)

Mila Kunis (Rachel Jansen)


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Monday, February 7, 2011

Review The Karate Kid

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A remake of the 1984 film of the same name, The Karate Kid well exceeds expectations, delivering a powerful viewing experience filled with action-packed martial arts scenes, great footage of China and its many wonders, and an absorbing story of a preadolescent boy's struggle to find his own inner strength. The title Karate Kid is really a misnomer as it is the art of kung fu that is practiced in this remake, not karate, and other details, including the film's setting in China, also differ from the original film. What remains the same, and just as powerful, is the underlying story: a young boy moves to a new place where he feels isolated and is bullied by his peers. Through an unlikely relationship with an adult, the boy not only learns to protect himself through martial arts, but develops the much more important qualities of respect and the mastery of one's own mind and body. Relative newcomer Jaden Smith (son of actors and producers Will Smith and Jada Pinkett Smith) is excellent as the main character Drek Parker; Jackie Chan gives a restrained and highly effective performance as his mentor Mr. Han; and Zhenwei Wang is eerily believable as the bully Chen. This is an intense and often violent film that fully engulfs its viewers--be prepared to gasp and cheer out loud, and know that you may never look at the act of putting on and taking off a jacket in the same way again. (Ages 8 and older with parental guidance) --Tami Horiuchi





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Friday, February 4, 2011

Review The Road to El Dorado

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In its third foray into animated features, DreamWorks came up with something unfortunate: the routine animated picture. Plagued with production problems (it was originally conceived as a mold-breaking PG-13 adventure), the likable film is a Hope/Crosby-style road picture about two scalawags who stumble upon the Latin American paradise of El Dorado, the mythical city with riches of gold. Kenneth Branagh and Kevin Kline are quite fun as Miguel and Tuilo, two Spanish con artists who are shipwrecked in the New World with a scene-stealing horse. The pair follow a map to the secret city where their loyalty will be tested: do they return home rich men or continue to live in this paradise? Of course there are some obstacles: a high priest (Armand Assante) is locked in a power struggle with the benevolent chief (Edward James Olmos) and the perfunctory girlfriend (Rosie Perez) puts the two friends at odds. Like too many of the animated features of its time, The Road to El Dorado impresses only on a visual level (it's drenched in gorgeous greens and golds). The story and Elton John's songs are quite forgettable; only Branagh and Kline's playful banter keeps the film alive. The PG rating is for some bare backsides and a suggestion of off-screen sex that should soar right over the little ones' heads. Slick and light, it's a fine 83-minute entertainment for ages 5 and up, including the nondiscriminating adult. --Doug Thomas





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